Meet the artist Boris Lukić on the occasion of the closing of Private Nude, Saturday, October 10 at 1 PM.
Boris Lukić’s solo exhibition Private Nude, curated by Mia David, explores the relationship between the body, privacy and the gaze in the digital age. Working from photographs found online, Lukić raises questions of consent, ownership of the image and the boundary between the private and the public
At Novembar Gallery, a guided tour of the current exhibition Summer Vibes: The Sun laughs mockingly was held on 20 August. Through conversation and a closer encounter with the artworks, visitors had the opportunity to explore the artistic practices and diverse perspectives represented in the exhibition.
The group exhibition Summer Vibrations: The Sun Laughs Out Loud brings together artists of different generations and artistic practices to explore what summer means today—not merely as a season, but as a space of projection, desire, and temporary freedom. Through painting, sculpture, watercolor, and mixed media, the exhibition examines the moment when the idealized image of summer collides with the realities of contemporary life.
A guided tour of the second part of the exhibition Algorithm of Care brought together visitors, artists, and curator Mia David for a conversation on the intersections of artificial intelligence, social responsibility, and care.
The second part of the group exhibition Algorithm of Care has opened at Novembar Gallery, continuing its exploration of the relationship between contemporary art, artificial intelligence, and social responsibility. Through the works of five artists, the exhibition raises questions about how algorithms can be developed according to the principles of care, equality, and inclusion.
Novembar Gallery hosted a guided tour of Illusions Should Be Kept at Room Temperature, a collaborative exhibition by Marko Crnobrnja and Stefan Tićmi that brings together literature, sculpture, and play.
The novel Tata kaže gambit (Dad Says Gambit) by Stefan Tićmi takes on a new form through Marko Crnobrnja’s immersive installation, where household objects become chess pieces and the gallery space becomes a site of encounter between literature, sculpture, and family memory.
The first chapter of Algorithm of Care brings together works by seven artists who explore themes of violence, memory, vulnerability, resistance, and mutual support through diverse media, considering care as a social and collective practice.
Novembar Gallery hosted a conversation with artist Marija Dragojlović about her solo exhibition Imobile Things, her creative process, and the themes that shape her artistic practice.
Algorithm of Care, developed in collaboration with the ŠkART organization from Tivat, brought together the works of twelve artists in Podgorica, exploring the intersections of artificial intelligence, feminist thought, and social responsibility through contemporary artistic practices.
On Saturday, February 28, a ceremony was held at the Novembar Gallery to present an award celebrating professional integrity and uncompromising dedication. Journalist Radmila Stanković is this year’s laureate of the prestigious “Tanja Petrović” Foundation Award, recognized for her outstanding contribution to promoting culture and art in the media.
Exhibition Immobile Things by Marija Dragojlović examines how everyday objects, through enlargement and drawing, become carriers of memory, emotion, and duration, transforming intimate traces of lived experience into visual records of attention and perception.
Tadija Janičić’s To-Do List at Gallery Novembar explores everyday life as a complex visual and mental space in which personal and social fragments intertwine into a dense network of images, meanings, and “obligations.”
The exhibition Our Battles reflects on contemporary collective experiences of resistance and solidarity through interconnected personal and social struggles that unfold within a shared space of responsibility and transformation.
The exhibition The Narcissism of Small Differences by artist Pauliana Valente Pimentel, presented as part of the Vizualizator festival at Gallery Novembar, explores portraiture as a space of empathy and universal human experience through depictions of young people navigating between tradition and contemporary identity.
November Gallery is proud to have supported the publication of the monograph “Goranka”, dedicated to the recently departed photographer Goranka Matić. The promotion took place at the Museum of Contemporary Art in Belgrade. Alongside the founder of November Gallery, Srđan Šaper, the speakers included Una Popović, curator at the Museum of Contemporary Art, and Nebojša Grujičić of RTS—co-editors of the monograph—as well as director Boris Miljković and Popbooks editor Predrag Popović.
The event also featured a screening of the documentary film “Goranka” by Boris Miljković, which offers an intimate insight into the life and work of Goranka Matić, revealing through personal conversations the stories behind her iconic photographs.
Earlier this year, in February, November Gallery hosted the exhibition “Memory and Hope”, dedicated to Matić’s photographic legacy. Marking the release of the monograph, gallery founder Srđan Šaper—who met Goranka 45 years ago, at the start of his music career with the band Idoli—shared:
“Goranka was the family photographer of our era. Everyone she wished to photograph became part of that family, whether they are alive or gone, whether they love one another or not. Her intimacy and her gaze wove us all into the tapestry of an entire century. To me, Goranka was both a dear friend and the older sister I never had, a business and creative collaborator, a companion and a good fairy who firmly yet gently told me what to do and how to proceed.”
Director Boris Miljković, author of the documentary, added:
“Once the decision was made to publish this major monograph, it felt natural to create a biographical film about Goranka Matić instead of awarding her an official medal of merit. One day we were talking about all of it, and I recorded only the audio—just not to forget. In the end, a whole film emerged, like a friendly movie filled with singing, memories, and laughter.”
The comprehensive, richly designed monograph “Goranka”, containing texts and nearly one thousand photographs, was prepared by Nebojša Grujičić and Una Popović, designed by Borut Vild, and published in a joint co-edition by RTS Publishing, Službeni glasnik, Popbooks (Society of Popular Culture Enthusiasts), the Museum of Contemporary Art, and November Gallery. At this year’s Belgrade Book Fair, the monograph received the ULUPUDS Award for Publishing Achievement of the Year.
Goranka Matić passed away in January, sadly not living to see the publication she had greatly looked forward to and began working on together with the editors last year.
The exhibition Duck Duck Goose… by Selena Vicković brings together works in which hybrid figures, toys, animals, and scenes drawn from imagination intertwine humor, unease, memory, and the experience of female identity.
The exhibition Youth by Marija Šević explores youth as a space of togetherness, solidarity, and possibility through paintings that connect intimate experience with a collective imagination of the future.
Gallery Novembar participated in Art Athina, presenting works by Brankica Žilović, Jovan Matić, and Tadija Janičić as the only gallery from Serbia at one of the region’s leading international contemporary art fairs.
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